Showing posts with label narrative. Show all posts
Showing posts with label narrative. Show all posts

Stories


From the pond they call life,
the fame they make believe,
seven billion lives ascend
asleep in their own dreams,
with the weight of life upon them,
trying their best to make amends
forever beyond their reach.

Conjecture: The moral dilemma of when/if it is right to kill another only arises in a society where the sheer weight of its population guarantees the act of murder. Conversely, the smaller the population, the less likely it is that murder will occur and hence the need for its moral argument, as it would seem absurd to kill in an environment where every individual is required to work with the group in order that the group survives.

Where the population is great, hegemony ensconced, resource capture and distribution industrialised and an economy of self-created scarcity in motion, then it will follow that the life of the individual, in such a programmed mass, is of little consequence to the whole and murder, whether by the state or an individual, will be more likely for this fact.

People will need to be convinced of the immorality (or morality when the state is the perpetrator) of the act of murder and laws imposed to control those who see through this ‘story’ and attempt it all the same.

The story given will omit any mention of population as a cause and instead will divert the reader’s attention to powers outside of their normal perception: a God, a form or an ideal. The reason for this is that the makers of the law must never be threatened, or their laws brought into question, by values arising from our direct physical relation to the world/environment about us, experiences of which are rudimentary and within the grasp of all.

When such values are realised the structure of power/control crumbles and is most likely to be replaced by another hegemony once a better ‘story’ is found, and so we witness the succession of philosophies, religions and political ism’s.

Given this set of circumstances we can use pragmatism in our daily lives to work our way through, however, we are often simply responding to ever new structures of power rather than ‘realising’ our actual relationship to our environment: our actual ‘being-in-the-world’. To put it another way: while we are busy fighting the spectacle and creating our own stories, like the one I am telling you now, we forget that we are animals preoccupied mostly with eating, defecating, sleeping, procreating and dreaming, and it is here we find the essence, eternally sought yet never to be found, hidden by ourselves.

Simon Leake

TWELVE YEARS OF SLAVERY

This story of one man's plight, kidnapped from his family home and forced into a life of slavery, reawakens one to the horrific acts that may be committed in the shadows of a sick mind.

This shadow casts an ideology of power, fear and evil, that unites men and women of the same colour, and divides them if they are of a different colour. Yet there are other divisions cast in the same way. Of great importance are such stories, which vividly demonstrate and show just how base we can become within a delusional narrative.

When such a narrative spreads into the minds and the actions of people, one enters into a false dialogue. One becomes seemingly ensnared by theatre, as a character who cannot see any other alternative unfolding of events; frozen and fixed within a self-fulfilling nightmare of which one partakes. When freedom of choice is limited within the parameters of such a story, it appears there is no way out. Permeating the unconscious behaviours, we so-called thinkers become enslaved to it, only to be awakened to drives pushing us into a direction none of us wish to go.

How can that be? It simply would not, if there was at one's disposal, a true, fair and moral tale. If there was more than one set of parameters, more than one theatrical performance, likewise there would be more than one script. However, who will narrate, produce, combust into a flame of flickering ideas? Becoming stuck in the thick slime of beliefs which allude to no other option but this one, one fails to do so.

Any sparks of creativity are quickly extinguished by the dominant powers, whose very foundation of truth contradicts any rebellion against them. From fear of retribution, the rulers, or benefactors, will conceal and destroy the tools of creativity and freedom. Passion and creative thought is quickly curtailed as folly, even by those who may be freed by it. Scared of the vengeful violence that occurs within such a paradigm, the nightmare deepens, reinforcing a fixed monologue of shit. What then, can awaken one from this evil reverie, when reason may ride the wildest dreams, and a fiction may be perfectly logical?

Indeed, a great author with a turbulent mind is needed to rage against such systems. A new story needs to be written. One which will encourage the minds of people to believe in something completely different, and so set them free from partaking in a play where only misery, loss, and fear is injected into all of our hearts; even those of the powerful. Lest their hearts have already burned out, surrounded by no light by which they may be guided out, let them be reignited by the imagination. The freedom to write and to think outside of such a dialogue presents a dash for freedom beyond the maze.

Do not believe, any of you, that there is no way out. Do not believe, not for a single second, that there is no alternative. For as long as human beings preserve the ability to tell stories, especially those stories which may find different assumptions, assumptions which lay the foundations for better conclusions, then it simply is not true that there is nothing we can do. It is wrong that you must play the role of the slave, or the master. Reject such notions as having no place in your story.

Once you have done this you may tell others, who also must reject such notions. And only when enough people have realised that they have been entranced and hypnotised by a persuasive lie, may they break out of it.

However, the lie is not the hardest part to accept, it is the fact that one may believe that they chose such a life. But no, this is not true either. It is only when one is made aware, when one understands they have been tricked, that they have any power to choose otherwise. But unless one wakes the others, one's own attempts to break out of such a narrative will be rife with booby traps, and zombies.

Ellese Elliott

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